Testseek.dk har samlet 6 ekspertanmeldelser af Samyang 21mm f/1.4 ED AS UMC CS og den gennemsnitlige bedømmelse er 100%. Rul ned og se alle anmeldelser for Samyang 21mm f/1.4 ED AS UMC CS.
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Gennemsnitlig bedømmelse fra eksperter, der har anmeldt dette produkt.
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excellent image quality in the frame centre, low lateral chromatic aberration, imperceptible spherical aberration, very good distortion correction, excellent performance against bright light
differences in sharpness between the left and the right side of the frame, too weak image quality on the edge of the frame in the vast area near the maximum relative aperture, distinct vignetting, lack of any depth of field scale on the lens, It would be
The Samyang 21 mm f/1.4 ED AS UMC CS is not an expensive lens – you have to pay 1400 PLN for it. In such a market segment the economy is unavoidable to a certain degree and you can easily save on quality control. We don't try to defend such a practice and...
When you consider the quality of its build, the quality of the images it produces and its reasonable price, theres a lot to like about the Samyang 21mm f/1.4 ED AS UMC CS.Whether it makes a great buy for you will depend a lot on the type of images you li...
Udgivet: 2016-05-03, Forfatter: Arthur , anmeldelse af: focus-numerique.fr
Qualité de construction et design, Ouverture de f/1,4, Qualité optique générale, Niveau de piqué au centre, Homogénéité entre f/2,8 et f/11, Faibles distorsions, Faible vignetage
Bague de diaphragme perfectible, Pas de communication avec le boîtier, Manque d'homogénéité aux plus grandes ouvertures, Objectif 100% manuel
Au final le Samyang 21 mm ED AS UMC CS est une belle surprise. L'objectif est beau et agréable à utiliser. Il jouit d'une belle qualité optique et d'un comportement cohérent. On apprécie le niveau de piqué très élevé au centre et l'homogénéité entre f/2,8...
świetna jakość obrazu w centrum kadru, mała poprzeczna aberracja chromatyczna, niezauważalna aberracja sferyczna, bardzo dobrze korygowana dystorsja, świetna praca pod ostre światło.
różnice w ostrości pomiędzy lewą i prawą stroną kadru, zbyt słaba jakość obrazu na brzegu kadru w szerokich okolicach maksymalnego otworu względnego, wyraźne winietowanie, brak skali głębi ostrości na obiektywie.
